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This simple communication tool terrifies most people

Communication tools for marriage and relationshipsCommunication tools for marriage and relationships

Many people are in love with the idea that there is a communication tool that will solve their marriage or relationship troubles with a minimum of discomfort or risk. The fantasy rarely comes true, for reasons I discuss elsewhere, but there is one tool that does change everything. Ready for it?

I call it… Telling the truth.

Telling the truth is one of the simplest, most difficult, and most terrifying “communication tools” available to us in relationship. It’s far more intimidating than trying to learn your partner’s love languages, remembering to use “I-statements”, or practicing active listening.

Interestingly, popular communication tools and techniques that promise to create more intimacy in relationships often succeed at doing precisely the opposite, while telling the truth remains one of the surest paths to authentic intimacy. So why do we avoid it?

Telling the truth is hard

When we tell the truth we put ourselves on the line. When we tell the truth we open ourselves to our partner’s questioning, judgement, criticism, rejection, even disgust.

Sometimes we try to bargain away the risk of truth-telling – “I’ll tell you but you have to promise not to get mad or to judge me.” An angry or judgemental partner is apparently more than many people can tolerate.

Obviously not all truth-telling is wise or constructive, though the most profound truth-telling does inevitably carry a risk of destruction. Our innocence may be at risk of being destroyed. Or our upper hand, our righteousness. We might risk destroying something in our partner: their image of us, their sense of safety; we may fear destroying their happiness, or their love and acceptance of us.

What does it take to tell the truth?

The truth might be painful, but real truth-telling is not cruel, it is courageous. It is not manipulative, it is genuine. Cruelty and manipulation is a misuse or distortion of telling the truth. Real truth-telling presents something unarguable, something deeply subjective, something from our experience for the other to consider. Real truth-telling draws a line between our experience and our partner’s experience. It is an act of respect, integrity, and differentiation.

Telling the truth might mean confessing an action or behaviour, but the most significant truth-telling more often involves revealing difficult or complicated feelings

“I don’t like being touched like that.”

“I’m not sure I love you anymore.”

“I don’t feel attracted to you.”

“I don’t think I want children.”

“I’m having doubts.”

“I disagree.”

“I’m attracted to someone else.”

“I want something different.”

“I’m having a hard time with something you’ve done.”

“I’m angry.”

“I’m sad.”

“I’m ashamed.”

“I’ve been deceiving myself, and you.”

“I hide myself from you.”

“I punish you.”

“I don’t believe you.”

“I don’t respect you.”

“I want more.”

“I want less.”

Notice that there is no technique. Nothing fancy. The truth is straight-forward and needs no special dressing up.

Each of these examples opens the door to what we imagine will be difficult conversations. Telling the truth opens doors, but it may also close them. Most relationships are normally built, at least partially, upon untruths, and these untruths provide an uneasy equilibrium. Truth-telling is destabilizing at first; it narrows the path and demands growth. No wonder we avoid it; we’d rather find a technique that allows us to keep our relationship more or less status quo, but also somehow “better.”

If we’re really honest, we want communication tools that will make our partner understand us, even as we hide the most difficult and salient truths from them. And if we’re even more honest, we might admit that when we say we want understanding, we actually mean we want agreement; we crave some tool that will make our partner validate us and hopefully see things our way, even when we don’t have the courage to tell them the truth in plain language.

I’ll leave you with this quote from psychologist and author James Hillman. I like how he connects truth-telling to shame and fantasy for another perspective –

When Freud’s patients lay down and began to reminisce, they found their fantasies embarrassing. Freud also found them embarrassing. Alone with each other and these fantasies, teller and listener did not look at each other. Their eyes did not meet. Why are our fantasies embarrassing to tell, and why are we embarrassed hearing the intimate tales of another’s imagination?

The shame about our fantasies gives testimony to their importance. This shame is now called professionally ‘resistance’. but what function does this resistance perform? I do indeed resist telling my daydreams, my scorching hatreds, my longings and fears and their uncontrollable imagery. My fantasies are like wounds, they reveal my pathology. Resistance protects me. Fantasies are incompatible with my usual ego , and because they are uncontrollable and ‘fantastic’ – that is away from my the relation to ego reality – we feel them alien. We are not embarrassed in the same way about our will and intelligence; indeed we proudly exhibit their accomplishments. But what breeds in the imagination we tend to keep apart and to ourselves. Imagination is an inner world – an inner aspect of consciousness. These affections and fantasies are the imaginal or unconscious aspect of everything we think and do. This part of the soul that we keep to ourselves is central to analysis, to confession, to prayer, central between lovers and friends, central in the work of art, central to what we mean by ‘telling the truth’.

Read my book The Re-Connection Handbook for Couples to get help with telling the truth in your relationship.

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“Stop feeling that” – Can you tolerate your partner’s difficult feelings?

"Stop feeling that" - Can you tolerate your partner's difficult feelings?When faced with our partner’s difficult feelings, the reflexive response tends to be some version of this: “Stop feeling that.” We might dress up our response in language that sounds more caring or compassionate, but the essential meaning of our message – stop feeling that – rings loud and clear.

We want our partner to stop feeling what they are feeling because it makes us uncomfortable in a hundred ways. Until we examine the discomfort that their feelings activate in us, we will continue to respond with some version of “Stop feeling that.” The problem with this response is that it easily turns the partner’s feelings into a point of contention, defensiveness follows, and a familiar escalation of conflict is often not far behind.

The alternative?

Another possibility is to respond to our partner’s difficult feelings with some version of this: “Please tell me more.” The problem with this is that it conflicts with our true intentions and desires. “Please tell me more” is a nice idea, but the truth is that we don’t want our partner to tell us more; we want them to stop feeling that.

Who would we have to be in order to genuinely want our partner to tell us more about their difficult feelings?

First, we’d have to be someone who can tolerate our partner’s difficult feelings. This is no small task. When the people closest to us are feeling something difficult, it is virtually impossible to not feel anxious. How we manage this anxiety determines our ability to be curious about their experience rather than trying to avoid, control, or fix it. In other words, our ability to be present in relationship hinges our ability to tolerate or manage the anxiety we feel.

Many of the complaints I hear in my marriage counselling practice come down to this –

“My partner doesn’t listen to me; they try to fix me or control me. I just want to be heard.”

Of course, the person saying this isn’t always telling the whole truth. Often there is a secret desire to have our partner rescue us, or there’s a not-so-secret attempt to pin our feelings on our partner, which makes it even harder for them to just “be with us” when we are suffering. There can also be an expectation that our partner demonstrate sufficient understanding, acknowledgement, or agreement when we reveal our feelings.

These dynamics can best be seen in the context of a “relationship system.” Thinking of relationship in terms of a system means acknowledging that relationship dynamics can’t be reduced to a simple cause and effect, but rather that there are multiple inputs that shape the system in complex ways, and that each person in the system has a part in either maintaining or changing it, no matter if they see themselves as the protagonist or the antagonist.

Learn more about tolerating feelings and changing difficult relationship dynamics in my book The Re-Connection Handbook for Couples.

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Parenting challenges – Are there differences between fathering and mothering?

Parenting, fathers day

I noticed an interesting fathers day trend on my social media feeds this year.

One woman lamented “Fathers Day is the worst.” She wanted to share the pain of navigating fathers day as a single mom who’s ex (her child’s father) was abusive.

Another woman wanted to say “Thank you to the fathers who do not have inappropriate relationships with their children.”

And then there were various versions of “Let’s celebrate the fathers who know how to be nurturers and caregivers.”

Aside from the first example (I feel for you, but no, I’m not personally on board with the idea that fathers day is “the worst,” even though I can imagine why that would be the case for you and many others), it’s pretty easy to get generally on board with many of these messages. Yes, obviously it’s good for fathers to not have “inappropriate” relationships with their children, and yes, let’s celebrate nurturing fathering. Simple. No-brainers.

And yet I remain curious about the context, mostly because I’ve never seen these sorts of messages around mothers day, and contrast tends to catch my eye.

Can you imagine seeing mothers day memes that say “Thank you to the mothers who do not have inappropriate relationships with their children”? Or “Let’s celebrate the mothers who know how to set boundaries and hold their children accountable”? I think these messages would pretty much universally be seen to be in very bad taste on mothers day.

What to make of this? What is the meta-meaning of this phenomenon?

Is mothering harder to screw up? Does mothering just come more naturally? Are there that many more “bad” fathers than “bad” mothers?

Many of the mothers who see me in couples counselling have a difficult time understanding or tolerating their partner’s fathering style when it includes rough-housing, risk-taking, aggression, competition, brusqueness, and so on.

I’ve observed too that some mothers have a difficult time allowing the father to manage his own relationship with the children; there’s an impulse to step in and intervene, to criticize or control. I’m also aware that speaking about gender differences period, including mothering as potentially distinct from fathering, is not always welcome. When I posted a brief perspective about fathering on my facebook page, two commenters were quick to respond.

One suggested “Sexist much?”

The other declared “F*ck gender norms.”

Here’s the original post

Fathering is sometimes different from mothering. Yes, fathers can be nurturing, and this quality of fathering is valuable and needed, but good fathering also includes challenging, setting boundaries, and having expectations. Mothers can sometimes be uncomfortable with this, but a function of good mothering is making room for fathers to bring their own gifts to parenting, and allowing fathers to manage their own relationships with the kids. #fathersday

We live in a time when explicitly confronting or calling out the dark side of the archetypal father (masculine) is socially sanctioned, while confronting the dark side of the archetypal mother (feminine) is less acceptable. I chalk this up partly to the swing of the pendulum; one could say that the feminine has been on trial by the masculine for a couple thousand years and it’s time for fair turnabout.

A result of this pendulum swing is that so-called masculine traits have been made “bad” while so-called feminine traits are enjoying a time of broad and unquestioning glorification. For example, many mothers have terribly inappropriate and damaging relationships with their children, but if these inappropriate relationships resemble “nurturing” or “caring” in some ways, their inappropriateness can easily be missed or forgiven.

The dark side of nurturing (yes, nurturing has a dark side) includes smothering, poor boundaries, passive-aggressiveness, co-dependency, martyrdom, and even sexualization or inappropriate eroticization of the child… but it’s easy, almost encouraged in our cultural climate to de-emphasize or ignore this shadow.

On the other hand, a parent who “challenges” their child or holds them accountable, or assumes an appropriate developmental hierarchy in the relationship (ie – I’m the adult, you’re the child, I get the final say) will often be viewed with suspicion if not outright derision, when in fact all these qualities are an important foil to the “nurturing” that has been historically associated with mothering and which now seems to be held in absolute esteem.

In other words, certain qualities historically associated with masculinity and fathering have been reduced only to their shadow aspect; their appropriate, necessary, and positive aspects have become invisible, not because they don’t exist, but because our culture currently has a difficult time recognizing them, which perhaps comes as no surprise given the brutality that the dark masculine has inflicted.

Whether men or women are naturally more nurturing, and what should be done about it, is not a topic I’m interested in taking a position on. What I do take a stand for is the necessity for parents to allow each other their own, unique, and often differing parenting styles, and to allow each other to develop and manage their own relationships with the children, for better or for worse (obviously if there are genuine concerns about abuse, appropriate action is called for).

It’s also crucial for children to have boundaries set for them, to be challenged as well as supported, and to have expectations placed upon them. Traditionally this has often, though not always, been the role of the father. If an individual or couple – hetero, same sex, gender fluid, whatever – would prefer to “F*ck gender norms,” then please do. Switch up the roles. Mix ’em up however suits you. But please do not jettison altogether the value of boundaries, challenge, and expectations in parenting. Nurturing is wonderful and should be celebrated, but it does have its own dark side, and even at its very best nurturing is probably not entirely sufficient on its own.

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The Heroine’s Journey – Transformative story and myth for women

The Heroine's Journey
From “The Shape of Water”

When Joseph Campbell’s book The Hero with a Thousand Faces was first published in 1949 it introduced (or perhaps reminded) the modern world of the archetypal Hero’s Journey. The narrative of this mythical journey follows a particular arc, as described succinctly in the book’s introduction –

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

I first encountered the written myth of the Hero’s Journey in my adolescence in the 1980s, more than thirty years after Campbell’s book was published. As a politically charged (if not particularly astute) adolescent, I immediately noticed the gender asymmetry. Women and girls were side characters, there to provide incentive or reward or danger or intrigue to the Hero. The Hero was always a man or boy. George Lucas exemplified this in his Joseph Campbell inspired movie Star Wars (perhaps notably, the first movie I remember seeing as a child).

As I reached the cusp of manhood myself, I wondered how women felt about so rarely having a mythical journey of their own told in story or represented in myth.

Today we see gender roles increasingly challenged and deconstructed. Women are taking the Hero’s Journey (and men are often-times foregoing their own, but that’s a discussion for another time). And yet, in my counselling work I regularly encounter frustration and confusion from women around the Hero archetype and myth. They don’t usually use the words “Hero” or “Hero’s Journey,” but I discern the reference to myth in the words they do use.

In our sessions women will report feeling restricted, burdened, immobilized, especially women who have made significant sacrifices as a mother or wife. The women who have made a pronounced Hero’s Journey will sometimes lament their loss of a sense of home or family, of belonging, of “hearth.”

The Hero’s Journey is in essence a masculine journey, and although women will embark upon it, often successfully and with great reward, there remains a glaring gap.

The Heroine’s Journey

It stands to reason that if there is a Hero’s Journey, there must be a Heroine’s Journey. But what is the arc of the Heroine’s Journey? Is it enough for the Heroine to simply follow the Hero and call it a journey of her own? Certainly we see this in storytelling, for example in the character Lyra Silvertongue, a pre-adolescent girl who travels to other worlds on a typical Hero’s Journey in Philip Pullman’s astounding Golden Compass trilogy (a personal favourite in contemporary literature).

But might the Heroine’s Journey be substantially distinct in form from the Hero’s Journey, even as it mirrors it in value, significance, and depth? It’s worth considering.

I was considering just this question recently when I happened to watch Guillermo del Toro’s 2017 film The Shape of Water (Del Toro is also responsible for the wonderful Pan’s Labyrinth).

The protagonist and Heroine is Eliza, a mute woman who works as a cleaner in a secretive military base where a special government agent has suddenly arrived at the base in possession of a military “asset.” This asset turns out to be an amphibious “aqua-man,” a prisoner, a creature that the agent, clearly the story’s antagonist/villain (perhaps the dragon or giant of the Hero myth) treats with open disdain and cruelty.

The agent is sadistic and efficient, identified as “a man of the future,” proponent of progress, enemy of the past, enemy of uncertainty, enemy of feeling (except perhaps anger and disgust), of vulnerability, and certainly enemy of the feminine.

The asset, the captured aqua-man, is revealed, through Eliza’s silent hand-signed interactions, to be highly intelligent, sensitive, and also powerful, all qualities that the evil agent is blind to (if not actually blind, unwilling to acknowledge, committed as he is to the cold ideology of the dominator-heirarchy and the particular brand of masculinity to which he has pledged his allegiance).

The asset/Aqua-man too is clearly male, but is completely unlike the agent. A Dionysian figure dragged from his ancient home in the murky wet depths up into the dry and shallow world of Apollonian modern man, he is in fact a river god, embodiment of the past, now scheduled to die at the hands of the future.

It is up to Eliza to save him, and of course she does, and of course in the process she too is saved.

But there are marked differences between her Heroine’s Journey and the archetypal Hero’s Journey. Her tasks of courage are the same as the Hero’s. Her transformation and initiation are no less profound. As in the Hero’s Journey help arrives from unexpected sources. But unlike virtually every Hero’s Journey, Eliza is not called away from home… her quest finds her right where she stands. This seems to be a rarely recognized distinction. I didn’t really think about it until a colleague pointed it out, and I think the implications are worth exploring.

The Shape of Water could be called a feminist film, but rather than minimizing, discarding, or demonizing the masculine element, a distinction is made between styles of masculinity, while a distinctly feminine Heroine musters all that is required to face the challenges that have come through her door.

The story offers a refreshing, imaginative, and symbolically rich take on the Hero/Heroine’s Journey. The Heroine is pitted not against men per se, and not against just a random “bad man” but, and this is worth repeating, against a particular and distinct style of masculinity. Along her Journey, the Heroine, in typical fashion, receives help, sometimes unexpected and often from men. The complexity of character in the men who help her is actually necessary in order to appreciate the complexity of what the Heroine’s Journey demands. This understanding seems to be lost on many popular film-makers and storytellers who settle instead for simplified stereotypes.

I hope for more stories of this caliber to help express the myths, new and old, of the lesser known and equally potent feminine side of the transformative human Journey.

Recommended books –
The Hero Within by Carol Pearson
Women Who Run With the Wolves by Clarissa Pinkola Estes
Goddesses in Everywoman by Jean Shinoda Bolen

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